Fr Evenements Books And Literature A New Media the Que At The French Institute Firenze
Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch. Shadow artists often choose shadow careers-those close to the desired art, even parallel to it, but not the art itself. Noting their venom, Fran~ois Truffaut contended that critics were themselves blocked directors, as he had been when he was a critic. He may be right. Intended fiction writers often go into newspapering or advertising, where they can use their gift without taking the plunge into their dreamed-of fiction writing career. Intended artists may become artist managers and derive a great deal of secondary pleasure from serving their dream even at one remove.
Carolyn, herself a gifted photographer, made a successful but unhappy career as a photographer’s rep. Jean, who yearned to write feature films, wrote mini movies in her thirty-second commercial spots. Kelly, who wanted to be a writer but feared taking her creativity seriously, made a profitable career out of repping “really” creative people. Shadow artists all, these women needed to place themselves and their dreams stage center. They knew this, but didn’t dare. They had been raised to the role of shadow artist and would need to work consciously to dismantle it.
It takes a great deal of ego strength to say to a well-meaning but domineering parent or a just plain domineering one, “Wait a minute! I am too an artist!” The dreaded response may come back, “How do you know?” And, of course, the fledgling artist does not know. There is just this dream, this feeling, this urge, this desire. There is seldom any real proof, but the dream lives on.